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Was this a good book? No. Was it a page turner? Yes. Was it more proof that the two are not one and the same? Absolutely. Carolyn Parkhurst wrote her first novel and, basically, anyone who can actually finish a novel should be celebrated, even a novelist whose book is constructed with rudimentary elements of cohesion, ease of flow and word choice. Parkhurst did deliver on all of the above: her story is the picture of a grieving widower trying to unconventionally unwind his beloved wife's mysterious death with the dog (and notably the only offspring) they shared. The anecdotes of their relationship are shared in short, palatable stories that beg for more. There is the occasional deluge into disbelief, but they are sparse and forgivable. This book reads remarkably like a woman is writing it while desperately trying to employ the voice of a man. That is to say, Dogs of Babel is narrated by a man, but written by a woman- and that is blatantly clear. When I say men and women don't exactly think the same way, I'm not making the most profound point; I'm delivering a sentiment that has ruined relationships, families and nations throughout history. Men and women just don't think the same about a lot of things, but maybe most of all in the nature of relationships. So, while this was a page turner, it reeked painfully of a woman describing a relationship the way she wished a man would describe that relationship, and this phantom persona pervaded everything, like a character never acknowledged in the book, but felt by the reader. |  |
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We might not want to think about aging and our eventual decline just yet, but what we do right now might actually make a real difference in how much we think about later, or think about anything at all. In Surgeon Larry McCleary's book, he exlpains how simple changes in diet and lifestyle could prevent migraine headaches, Alzheimer's disease, brain cancer, and a slew of other diseases you generally want to avoid. There are a whole bunch of complicated studies and scientific explanations about insulin and metabolic function, but impressively, this book, unlike your college nutritional science textbook, doesn't put you to sleep. Dr. McCleary is named quite appropriately for he is as clear and straightforward as a brain surgeon could possibly be. So quit watching late night info-mercials about long life Chinese herbal hooey and grab a copy of this instead. |  |
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Two people making beautiful music. This is the simple description of Once, what is sure to be one of the most fulfilling and envigorating films of 2007. Glen Hansard, as the tortured, lovesick street musician, and Marketa Irglova, as the young, flower-peddling pianist, are so charming, heartfelt and vulnerable it is impossible not to care about them the moment they step on screen. Hansard and Irglova, as both talented actors and musicians (who wrote most and performed all of the soundtrack), are an
indelible
pair of losts souls, in the same vein as as Bill Murray and Scarlett Johansson in Lost in Translation or Ethan Hawke and Julie Delphi in Before Sunset. Films about love and passion that have the ability to transcend both the romantic and the platonic are a rare and delicate treasure. Don't let this one pass you by.
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For practically less than it costs these days to fill up your gas
tank, a great little movie has been made and it's called Half Nelson.
The plot follows the life of Daniel Dunn (Ryan Gosling) a young-ish
junior high history teacher who has a fondness for cocaine. When one
of his students Dre (Shareeka Epps) discovers him cracked out late at
night in the girls locker room, their teacher-student relationship
blurs into an odd version of friendship and sometimes guardianship,
but it is never truly clear who is taking care of whom. In fact many
things in this movie are left unclear, relationships are messy,
associations are inferred rather than explained, and therein lies the
film's greatest strength, its subtlety. It reveals what it needs to
and gives the audience enough credit to figure out the rest. Director
and writer Ryan Fleck, with the help of co-writer Anna Boden, have
brought to the screen a script that is simple and heartbreaking and
real, and as such its themes are both modest in execution and
transcendent at their conclusions. With stunning performances given by
both Gosling (a far cry from his succored heartthrob persona in The
Notebook) and newcomer Epps (no relation to Omar) this is a movie that
will move you, so move your ass and go see it! It won't be in theatres
much longer.
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In one word Millbrook is exuberant. These boys from Los Angeles make music that feels like raw emotion with melody. On the first track, "Meet Me in the fields" on their latest EP offering, Cathedrals, Millbrook's lyrics wax poetic, backed by a full orchestra, with musing lines like, "They say true love is like a flood, if that's the case then I hope you drown." From the lounge room jazz beats in the adorable ode "white girl" to their Beatles-esque (circa Sergeant
Pepper)crooning circus march "Mr. Go Lightly" Millbrook never has a dull moment. Keep an ear out for the last offering in their EP's-that-begin-with-C Trilogy (Confessionals, Cathedrals . . .), Catacombs, coming soon. To hear their songs and get info on tour dates be sure to visit www.myspace.com/millbrook.
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A movie like Brick is not meant to be appreciated by the faint of brain. Writer and director, Rian Johnson has constructed a crossword puzzle of a film, the kind of murder mystery that becomes more addictive with every indecipherable phrase. The story swirls around the lead character's, Brendan's (Joseph Gordon Levit), search for the who, how and why behind the death of his ex girlfriend Emily (Emile De Ravin). Sounds simple, right? About as simple as the phrase "The pin's got tug scraping yegs,"
which means something very cogent in Brick-speak, though it probably means absolutely nothing to you now. Phrases like this make up about 75% of the movie, and while initially the audience will have trouble understanding the film's secret language, the frustration gives way to a desire to crack the code. The inner-workings of the dialogue become more apparent at roughly the same rate as the plot becomes lucid, a wonderful mimetic trick if ever there was one. You've really got to hand it to Johnson, a 32 year
old USC film school grad, and his ensemble of talented 20-something actors who carry this film noir piece with ease, style, and a sly sense of humor.
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The English Language is complicated enough as it is, but in this witty
and brutally honest handbook, Maggie Balistreri proves that English is
even further complicated by our current obsession with using language
to avoid saying what we really mean. Accompanied by sharp and clever
examples, Balistreri demonstrates how many words are more than just
what they mean, like the word 'relationship,' which used when talking
to a significant other really means "you" (e.g. your girlfriend
stating, "This relationship just isn't working for me anymore."), and
how the word 'but' in many contexts is a key word that denotes someone's been bullshitting you.(e.g. A comment like, "I really like that
dress on you, but I think you can find something better.") This book
will make you laugh out loud, but it will also cause you to think
twice about the words we use and why we use them.
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This is a movie for anyone who appreciates low budget
film making, acting that is at once hilarious and heartbreaking, and for anyone who loves or hates The South. In this bittersweet comedy, George
(Alesandro Nivola) returns to his home town in North Carolina
accompanied by his new wife, Madeline (Embeth Davidtz) to visit a host
of tightly-knit and extremely quirky relatives. Wonderful performances
are given by seasoned actors Celia Weston (The Village, Runaway Jury,
Legally Blonde) and Frank Hoyt Taylor (Walk The Line, Big Fish, 28
Days) as George's mother and father, but the real standouts in this
film are its younger actors, Amy Adams (nominated for an Oscar for
this performance) as George's sister, Ashley, and Benjamin McKenzie
(known for his brilliantly bland role as Ryan on The OC) as Ashley's
husband, Johnny. These two actors prove they can handle complex roles
that require both subtlety and serious comedy. |  |
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